Ideally, students learn to understand details of language well enough to shape it themselves and see how others shape it.
The "details of language" occur in words, phrases, sentences, paragraphs, stanzas, pages and books. They involve vocabulary, semantics, syntax and grammar. The more students understand how to identify and use these details, the more they can shape language to their desired ends. Important to instruction is recognizing both publicly and privately the satisfaction derived from such shaping. That satisfaction does not come automatically, even in this particular sketch. At times, the desired end or audience grows foggy and the writing gathers lines in a journal but little else. Recognizing the trial-and-error, the drafting, the eventual nature of successful composition has become perhaps an even more important ingredient in today's writing instruction. The fastfood/electronic/digital culture tends to reward instantaneous action. The faster the better. Writing, though, at least the kind that brings personal satisfaction to me, involves several stages of invention, re-invention and polish. The shaping occurs over time. Consider a book like John Wideman's novel, Philadelphia Fire, which sports across the page like one of its street ball stars on a West Philly basketball court. Even such apparently free-wheeling approaches demand forethought, first runs at the basket, responses from fellow reader-writers, then a "tedious" return to the detailed choices about words, phrases and sentences. What do you want to convey about the bombing of a West Philly neighborhood? And to whom? What style and arrangement of words will work? What's available to me.
Wednesday, June 30, 2010
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